vitreous

The nine virtual sculptures underlying vitreous resulted from experimental setups by Robert Seidel for generating three-dimensional clusters of fibrous refractions, as well as the gravitational lensing of different volumetric and chromatic densities. Singular elements gravitate towards each other, accumulating in a gigantic sculptural system, where each entity exists with its own visual axis and vanishing point. The impalpable luminous formations create prismatic interactions between the ridges and plateaux of the main colours floating in front of the infinite violet background.

Feeler

16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.

Chelicera

A neurodivergent man is stuck in the web of an abusive relationship, unable to free himself from his lovers grasp.

Platform

Jess confronts a piece of her past on the platform…

Empire of My Melodious Mind

Be. Belonging. Words on vintage flash cards shuffle past in a stream-of-consciousness that shows the mind working, assigning labels and names to things through love and language. In the space of a moment, perception embarks on an epic journey of tongues, through Cantonese and English sounds and Ektachrome memories that form the characters and identity of this American-born Asian filmmaker.

An Uncountable Number of Threads

Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.

Aconite

In the sprawling, desolate expanse of a grand house, resides a solitary girl. Haunted by memories and the weight of isolation, she spends her days wandering through its empty rooms—a labyrinth of forgotten corners and fading grandeur.

Lost Footage

How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.

Bunnyhood

What could possibly be more important than feeding your daughter?

Dernière St-Valentin

Burning Batteries

In the tradition of experimental genres such as the cut-up, collage, permutation, altered book, & erasure poem, ‘Burning Batteries’ dissects the idea of the book in both a literal & philosophical way. Books are usually thought of as 2D, static, fixed pieces of historically relevant narratives – ReVerse Butcher wants you to (re)think books as contested spaces for possible intervention, creative agency, & rebellion. She sees books as multi-layered places where multiple meanings hide behind the illusion of being locked-in by consensus reality.

there is poetry in bad writing

Am I? I don't know. I know? I do not know.

After James Benning's YouTube

Divided into 26 parts, an attempt to remake James Benning's film, YouTube (2011) with similar internet footage after 13 years.

AA-PROXIMA-SUN

A girl approaches a divine entity that comes to the world in the form of a yellow umbrella, and ends up discovering her true self.

rush and pressure

Visual poem.

Whilst Waiting

A person spends some time in a room